W R I T I N G
The Offing | "Dancing Queen" | "Sorrow made beauty more alluring. Melancholy made my own queerness beautiful."
Catapult | "My Eyes Yearn for You: A Short History of Longing in NYC" | "They are happy who do not quit their homes"
Papercuts | "Buri Nazar Aur Pait Bhara | Evil Eye, Full Stomach" | A delicate exploration of want and satiety in the experience of one South Asian family in Boston.
The Millions | Books Out of Place | Do books ever wonder whether they’re going to better homes from the ones they came from?
LitHub | Why We Need Revolutionary Poet Faiz Ahmed Faiz more than ever | On the tangible power of political poetry
The Gay & Lesbian Review | "Wide Use of PrEP Raises Hopes—and Questions" | On the domestication of HIV
Los Angeles Review of Books | "Identity and Recognition: A Conversation with Daniel Mendelsohn" | "I’m interested in knowledge: what is knowledge, how you get it, how much is knowable. It’s all a kind of archaeology."
The Aerogram | Telling New Stories Through Indie Media | Talking with three brown women, Sarbani Hazra, Aneesh Sheth, Janani Sreenivasan, on their latest pathbreaking film projects
The Shanghai Literary Review | Book Review: "Coming to America: Queerness and the Indian-American Experience in Rakesh Satyal's No One Can Pronounce My Name" | Satyal "challenges readers to consider queerness as a sentiment beyond same-sex desire."
The LSE Review of Books | Book Review: "Fashioning Diaspora" | Instead of asking what beauty is, author Vanita Reddy asks what beauty does.
Lambda Literary |
No Other World, Book Review | Rahul Mehta's debut novel "finds strength in the devastatingly brilliant notion that fate isn’t premodern, or of another time."
Red Lipstick: The Men in My Life, Book Review | Pooja Pande collaborates with trans activist Laxmi Tripathi to open up the possibilities between journalist and informant.
Kajal | A South Asian–centered Art & Opinion Magazine | Staff Writer
"To Give us New Colors to See" | How La La Land reclaims the much-derided beauty of Bollywood
Ashish's "Bollywood Bloodbath" Rocked the Runway at LFW | He invoked the gods, cross gender barriers, and made political points at every turn.
Priyanka the Exotic | Not too ethnic, or too exotic, or too othered — just beige.
The Mujra and the Modern South Asian Imaginary | Succumbing to the spell the mujra casts on the South Asian cinematic imaginary
Living Room Bazaars, Arranged Marriage, and Rohin Guha | “I felt like they had put a price tag on my arm.”
Mastani Mastani | As debates about cultural appropriation proliferate, how can we expect one's own artistic borders to remain sacrosanct and impermeable?
The View from Afar | Beauty isn’t simply a form to behold, but a force — a vehicle that teleports us.
Hum Hain Ek Happy Band of Outsiders | Can a warm, feel-good togetherness be manufactured, exported, and brewed?
An Interview with Aroon Shivdasani | On the eve of IAAC's Second Annual Literary Festival.
Midnight's Furies, Book Review | How Hazjari's account of Partition fails to account for the hand of the British in today's legacy.
Why Not Me?, Book Review | "Kaling makes herself hyper-visible by making hard work hyper-visible."
The Writing Cooperative | Contributor
With My Back toward the Future | Without WiFi aboard the bus, I’m free to wander the highways of my mind.
One Agendum after Another | A summary of the tasks that impinge on my writing time
Whither the Right Parenthesis | My keyboard broke. I lost a key. I began to let my thoughts roam free.
Ragic Repose | I fell asleep during a Hindustani classical music concert and discovered a productive sort of boredom.
The Gifts We Give Ourselves | Why Christmas morning came a day late for me
#BalmainArmy Turns Back Its Gaze | What is fashion designer Olivier Rousteing up to?